Master’s Degree in Fine Art (1992). Department of Photography, the Rhode Island School of Design, Providence, RI
Bachelor’s Degree in Art (1989). Department of Photography, Metropolitan State College, Denver, CO
Academic Teaching Positions
Montserrat College of Art, Professor, Chair of the Photography & Video Department, Beverly, MA, 1995-Present.
Salem State College, Visiting Lecturer, Photography Department, Salem, MA, 1993-1999
Endicott College, Visiting Lecturer, Art Department, Beverly, MA, 1997-1998
Salem State College, Photography Instructor, Department of Continuing Education, Salem, MA, 1993-1998
Rhode Island School of Design, Instructor, Department of Photography, Providence, RI, 1991-1993
Sable High School, Teaching Assistant, Spanish as a Second Language, Aurora, CO, 1978
The Morgan School, Instructor, Division of the Inner City Red Cross, Denver, CO, 1977
Selected Awards
Luz Dorrien Faculty Development Grant, Montserrat College of Art, (2008)
Who’s Who Among America’s Teachers, (2002, 2004-2007)
Carlos Dorrien Faculty Excellence Award, Montserrat College of Art, (2001)
New England Foundation for the Arts/National Endowment for the Arts Fellowship in Photography, (1995)
Massachusetts Cultural Council Fellowship in Photography, (1995)
Faculty Development Grant, Salem State College, Salem, Massachusetts, (1995)
Visual Artist Fellowship in Photography, Denver Commission on Cultural Affairs, (1988)
Commissions
John C. Pace Library, University of West Florida; Division of Cultural Affairs, Art in State Buildings Program, State of Florida, Pensacola, Florida, Direct Purchase, (1997)
Finalist, Denver Public Library Central Library Great Hall Commission; Mayor’s Office of Art, Culture and Film, Denver, Colorado, Michael Graves, Architect. Budget $450,000.000, (1993)
Lectures and Seminars
Transitions in Photographic Education: Changes in Imaging Technologies and Curricular Structure, Society of Photographic Education, 42nd National Conference, Portland, OR, 2005
Teaching Photography in the Modern Classroom, the Photographic Resource Center, Boston University, Boston, MA, 2005
Professional Experience
Sygma Photo News Agency, New York & Paris. (1987-1992). Freelance News Photographer. Selected
Publications: Time, Newsweek, Vanity Fair, The World & I, US News and World Report, L’Espresso,
Panorama, Epoca, Bunte, Paris Match and other national and international publications.
Rocky Mountain News (Daily Newspaper), Denver, CO. (1986-1989). Contract Photographer. Produced the weekly photo page Click for the Sunday Magazine. Shot news and feature assignments.
The Denver Business Journal (Weekly Newspaper), Denver, CO. (1986-1987). Staff photographer responsible for all photographic art in the newspaper.
The Hills Gallery, Denver, CO. (1980-1984). Assistant to the Director: Arranged, prepared and installed
photography exhibitions, reviewed portfolio submissions, maintained art book and poster inventory.
The Metropolitan (Weekly Newspaper), Denver, CO. (1980-1983). Head Photographer and Production Manager: Responsible for all photography, graphic design and layout of the newspaper. Directed 14 person staff of photographers and production artists. Maintained photo and production inventory.
Selected Art Works and Objects
Light Scrolls, (2011-Present). [Pigment Transposition on Paper of an Electronic Actinic Recording Referencing Original Texts]
Episodic Memories: Unconscious Recollections, (2010-Present). [Pigment Transposition on Paper of an Electronic Actinic Recording Referencing Original Experience]
Probability Grids, (2005-Present). [Pigment Transposition on Paper of an Electronic Actinic Recording
Referencing an Original Object]
Color Coded Radiation as a Function of Position: A Two-Dimensional Set of Probabilities: (2005-2009).[Pigment Transposition on Paper of an Electronic Actinic Recording Referencing an Original Object]
Not to Scale, (2004-Present). [Pigment Transposition on Paper of an Electronic Actinic Recording Referencing an Original Object]
Double Boxed Set, (2003-2005). [Archival Inkjet Prints on Paper]
Silver Manuscripts, (1998-2002). [Silver Emulsion on Paper]
Internal Difference, II (1996/97-Present). [Virtual/Mixed Media Installation, Photographic Reproductions with Electrically Charged Toner, Closed Circuit Television, Sound]
Grain Phenomena (circa 2000). [Electrically Charged Ionic Grain Transfer Prints on Paper]
Text Blocks (circa 2000). [Portfolio of Ten Silk-screens on Paper, Edition of 5]
Untitled Manuscripts Series (circa 2000). [Embossed Silver, Steel, Glass, Wood]
In Celebration: A Festival of the Word (1993). Denver Public Library Central Library Great Hall.
[Commission Proposal, Presentation, Honorarium]
How to Determine Distance. (1992). Providence, RI: artist produced. 32pp, 35.5x44cm, hdbk, unique book, [Photo/text/objects]
on the clause of a dilemma… (1992). Providence, RI: artist produced. 32pp, 25.5×14.5cm, hdbk, edition of 5, [Digital Imagery/text-graphic]
the Poetics of Space, (Condensed Version). (1991). Providence, RI: artist produced. 36pp, 21.5×15.5cm, pbk, edition of 25, [Xerox/text-graphic]
Untitled Book. (Circa 2000). Providence, RI: artist produced. 8pp, 12×10.5cm, Unique Artists’ Book [Steel, Embossed Silver, Iron]
Vacation Memories. (1991). Providence, RI: artist produced. 12pp, 24x50x37.5cm, Unique Artists’ Book [Dye-Diffusion Photographs, Water, Glass, Wax, Cardboard]
Socially Speaking. (1989). Denver, CO: artist produced. 52pp, 25.5x31cm, hdbk, edition of 35, [Monograph, Twenty-eight Black & White Photographs]
Selected Documentary Projects
88 Lives (2010). Video Documentary about Aging, Lincoln Williams Producer; Collaboration with Montserrat College of Art Video Students and Community Members. [DVD, Web]
You Are Here (On Going). The World. [Color Photographs]
Brief Distracted Lives (1992-94). Providence, RI. [Chromogenic Development Prints]
Socially Speaking (1987-1989). Socio-documentary of the socially privileged. Supported by a grant from the Mayor’s Commission on Cultural Affairs, Denver, CO. [Black and White Photographs]
Excelsior Youth Center (1988). Photo documentary of life within a residential treatment center for severely emotionally disturbed girls. Aurora, CO. [Black and White Photographs]
The Democratic National Convention (1984). A photographic record of people and events at the convention, and within its environment. San Francisco, CA. [Black & White Photographs]
Johnston, Patricia and Lukitsh, Joanne, “Virtual Resistance,” Afterimage, The Journal of Media Arts and Cultural Criticism, (May/June 1997), p. 12, illus.
Hill, Shawn, “Stretching the Boundaries,” The Boston Tab, (January 14-20, 1997, Vol. 16, No.20)
Sherman, Mary, “Images play around with art history,” The Boston Herald, (December 22, 1996), p. 58-59.
Rene Merkle, Karen, “A Provocative Photonominal,” The Post-Journal, (February 23, 1995), p. 11.
McGrady, Suzanne, “Top Photographer Gives Up His Trade for the Sake of Art,” Swampscott Reporter,
(December 15, 2994), p. 5, illus.
Clurman, Irene, “Eye on Art,” Rocky Mountain News, (February 6, 1987), p. 56.
